• Pravljenje Srpske Kobasice

DetaljiThe playing feel of a grand piano, on stage or in your room.A speaker-less slim piano ideal for daily practice or performing live.For players interested not only in classical, but also jazz, rock, or funk, the convenience of being able to play in a practice room plus the mobility to take the D1 anywhere is key. On top of that, a carefully fine-tuned playing feel is crucial. The D1 is a piano that delivers on all counts for pianists and keyboardists of any genre.The D1 is focused on providing the ultimate in slim, compact design.

The result is a top-class keyboard that reproduces the playing feel of a grand piano, and yet is highly portable. With its high-quality keybed developed by KORG and a rich variety of 30 sounds that will shine on stage, this instrument is the perfect fit for daily practice or performanceJapanese-made high-quality RH3 keybedThe D1 features a real weighted hammer action 3 (RH3) keybed that reproduces the touch of a grand piano, where the low notes are heavier and the action becomes lighter as you play toward the higher notes.

With this keybed's natural-feeling touch and weight, you'll want to keep playing it forever.A compact body that you can take anywhereThe chassis construction has been rethought with a new structure and design that slims the body to a depth of approximately 26 cm. (10.24'), the minimum depth that still allows enjoyable playing.

Even though the D1 features a full-fledged weighted keybed, it's highly mobile, and can be carried anywhere in its dedicated SC-D1 soft case (sold separately). The stylish ST-SV1 stand (sold separately) completes a great-looking setup on stage or in your room.: Without the music restThirty high-quality soundsThe D1 contains a total of 30 richly expressive sounds which include not only a variety of piano sounds to cover genres such as classical, jazz, and pop, but also electric piano, organ, and clavi sounds that will be useful on stage, and even sounds such as vibraphone, acoustic guitar, and strings. DetaljiAnalog Modeling Synthesizer KingKORG is the full-fledged analog modeling synthesizer you've been waiting for. It carries on the design philosophy of classic Korg analog synthesizers such as the MS-20 and the Mono/Poly, which gave rise to the Prophecy, the Z1, the MS2000, and the RADIAS.

This exciting new instrument delivers the unique characteristics of a dedicated synthesizer, especially the fun of transforming the sound by tweaking an impressive array of knobs. While technologically impressive, KingKORG is approachable even to players who are new to synthesizers. And it particularly shines on stage, not only with its great sound, but also literally with a gorgeous champagne gold finish, befitting its royal name – KingKORG.

DetaljiThe classic MS-20 –recreated in mini size! An analog synthesizer featuring the original circuitry from 1978 Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg’s MS-20 plug-in synth, or the iMS-20 iPad app. Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini.

The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original. The MS-20 mini will amaze you with its absolutely authentic analog synth sound. Comments from the developers Fifty years have passed since Korg was founded, and we have once again put our hand to an analog synthesizer.

We took particular care to deliver smooth parameter adjustments, which are a distinctive feature of analog synthesizers. We also took special care to completely reproduce the original specifications of the MS-20. The analog circuits we designed 35 years ago still deliver the same unbeatable, powerful sound, from the ultra-low to the ultra-high range. The MS-20 mini painstakingly replicates the original MS-20. A development team led by the original engineers themselves worked to recreate the original circuitry, and when it was necessary to substitute a part, these engineers made the decisions based on careful listening, in order to reproduce the original sound faithfully. In fact, the sound of the MS-20 mini has a somewhat bright and extreme quality to it because its sound is that of an original MS-20 in mint condition at the time it went on sale, before any of the components aged.

2VCO / 2VCF / 2VCA / 2EG / 1LFO structure The MS-20 mini reproduces the distinctive synthesis of the MS-20; two oscillators with ring modulation, and envelope generators with hold and delay. The VCA maintains the basic design of the original, but it’s been modified to produce less noise than the original. Self-oscillating high-pass/low-pass filters with distinctive distortion One of the greatest characteristics of the MS-20 was its powerful filters, which provided resonance on both the high-pass and the low-pass.

Maximizing the resonance would cause the filter to self-oscillate like an oscillator, producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was later used on the monotron and monotribe. The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound. External signal processor (ESP) for processing an external signal The ESP carries on the experimental spirit of MS-20; it allows you to use the pitch or volume of an external audio source to control the synthesizer. For example you can input an electric guitar and use the MS-20 mini as a guitar synthesizer, or input a mic and use it as a vocal synthesizer. Extremely flexible patching system The patching system provided to the right of the panel lets you create complex sounds by plugging-in cables to change the connections between the various units. The possibilities are limited only by the user's imagination; different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds.

By patching according to the MS-20 flow chart that’s printed on the panel, even the beginner can start taking advantage of these possibilities right away. MS-20’s design concept started by borrowing from the vertical layout found on larger and more expensive modular synths of its time, and then creating a more portable, inexpensive, and eaier to use version.

To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original MS-20. In spite of its smaller size, meticulous care has been taken to accurately reproduce the knob design and the printing.

The patch cables have been changed from 1/4' phone plugs to mini-plugs, and the newly-designed keyboard is also 86% of the original size. Replicates every details of the original Our effort to remain faithful to the original is not limited to the unit itself. Even the package that contains the unit replicates the original as far as possible. Also included are the original MS-20 owner's manual and settings chart, explaining how to create sounds.

Now you can experience the excitement of the MS20, just like it was during its original release in 1978. The MS-20 mini provides a MIDI IN jack for receiving note messages, and a USB-MIDI connector that can transmit and receive note messages. You can even connect the MS20 mini to your computer and play it from a sequencer.

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Pravljenje Srpske Kobasice

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